
editor's note: WHOA, did i fuck up: i first hit 'publish' like hours ago but after rereading, decided to expand upon what i mentally labelled only adequate writty. still is, actually, but there're details of other stuff when the ADD took me on a long stroll down Memory Lane but back and forthly between there and my current flavor of feared and very much-loathed reality (the one in which i'm sittin here working)
so i quit working and promptly fell asleep. anyway, i'm reposting this
properly cause recalling the details i edited in the second, third, sixth and 20th times somewhat negate the anhedonia and i've always been a 'whatever works' kinda grrl. :-)
*trumpet fanfare* headline:
this's this was a Work In Progress (republished fuck-knows-how-many times during the last six hours or so as i fixed the formatting and kept on adding content and shit). OK, i started off fine the first time when it was all about Danny, a bit about Gemma and their desire to be on Tawdry again (sans their photos) after they decorated my 'Take Drugs' card with a lovely variety of extralegals. that was before i got sidetracked, of course, totally thanks to ADD with details brought to you by the syndrome named for Hans Asperger. anyhoo, the first edition was actually alright and began thusly:
this public service announcement was
forced upon me strongly suggested by Danny and Gemma (mostly Danny) as they inspected the bulletin boards and magnet board in the kitchen, then simultaneously noticed the '
Take Drugs' card i took from this Techno Acid-House Drums and Bass club in Edinburgh — i think it specialised in that kinda music but positive of one thing only: i got the card in Scotland.
it was Chris, Sir Nomad, Alma Tender Love and me back in may '05, in the midst of The Outlaw Tour. it started off with a bang for us — Chris and i trained it over to Cardiff and immediately found Orlando outside The Coal Exchange. he invited us to accompany him checking out pubs looking for the rest of the band (like we were really gunna say 'no') and as usual, i tawked his head off (but to his credit, he didn't seem to mind). then, for the way unexpected finale or whatever, Chris and i bopped in — through the front doors of the venue — with
The Spirit of Love.

when i wrote about it the following day on Dateline: Bristol, i said sump'n like 'street credit rising...
riiisINNG...
SOARING!' why? cause it
was; i mean, casually sauntering into the gig with The Spirit had all eyes upon us and i was preening my ass off but not overtly cause i'ze way too cool for that kinda shit. then Orlando took us to the bar and excused hisself after i hissed to Chris sump'n like '
OMG — there's Jake!'
this was the first time we'd seen him since San Francisco back in november 2000 (seen him close enough to talk to, that is).
then came the reunion, like: after i spotted him at the end of the bar, i
pretty much dragged pulled a very reluctant Chris along with me as i snuck up behind him and repeatedly
and rather rudely poked him on the shoulder to get him to turn around.
when he finally did (after my 3rd or 4th insistent poke) he checked us out briefly, then instantly roared
'YOU MADE IT!' and kissed and hugged the botha us (not sure but i think i remember Chris like flinching and cringing but ultimately submitting to Jake's very warm Glaswegian kinda welcome). then, thanks to Jake's questions, Chris gave him a liddle rundown of how and when we'd split the States (whilst i went outta my mind doing happy grrl dances behind Jake's back). then Chris explained why he'd been so busy at work in DE that it took us over two years to see the band until april '03, at United Against Racism (Manc) and then Summer Sundae (Leicester) and Christmas '03 in Brighton and London but as he told Jake, there was no way to get close enough to tawk to him before that very minute in Cardiff.
then he asked us how long we'd been living in England which gave
us me a chance to tell him only some of the remarkable series of whatevers which ended us up in Bristol. y'all know the story — it's the 'Saved By The Virtual Bell' one, the one fraught with Fate and Timing and Coincidences (and flashes of ESP or whatever other type of possible precognition). i'm putting it that way cause one example's when Chris booked his one-way flight back to US in november '03. right before he clicked to pay, he noticed a special offer: for 20€ more, one could get a roundtrip — or 'return' as Brits and the EU put it — back to DE after warning me he wasn't gonna use it but for only 20€
and since we sadly assumed all was totally lost he went
'fuck it' — just as i called out 'go for it'.
fun-fact: *whispers* it's the same story which found me talking to
The Kindly Ones, as
Neil Gaiman calls em in
Sandman — hah! i could go off on another ADD-addled tangent now but i'll exercise some badly needed self-restraint and won't cause i'm so off the original track already — sorry, Danny — RLY.
back to me and The Kindly Ones, this happened after i'd losted it and in the kinda desperation endured by the very depressed, especially those who have nothing to lose. so glancing out the window and seeing the Moon that night, i had a word or three with The Nice Ladies. teh funny: the very next night, that firm in Bristol rang and offered C an interview, one he wouldn't have considered if he hadn't already booked a return. yeah, i know: it totally means nothing since it's only
another a coincidence.
shit! stuck in Memory Lane... more VGIs (Very Good Indicators) i'm in OldLadyland, dammit. anyway, the Outlaw Tour in Spring '05 was a really good time for me. i mean, it was just three months after Hunter S Thompson left the building *sigh* and two months after Peter did as well
*sob* *double sigh* and i'd been very,
very depressed though Hunter had come to live with us by then.
anyway, i thought the album was totally teh suck as well as a crushing disappointment but that wasn't gonna stop us from seeing the band as much as we could. and it was
Zoe Devlin's big intro onstage on tour so we hardcore Converted weren't surprised when, thanks to
an injection the introduction of the cutest, most talented arm-candy EVar into the motley mix of
degenerate pervs the band, the unbeatable combination of Devlin plus the paean to the recently deceased Johnny Cash brought a slew of new fans, mostly young kids, the majority of whom were of the violent, mindlessly drunk ilk who thought nothing of pushing and shoving people away so they could get to the front of the stage where they
acted like total assholes got all riled up seeing the Alabama 3 for their very first time.
i'm sooo off-topic, it isn't funny, actually. soz Danny, but you're gonna have to wait a bit more. now where was i? right, the Outlaw Tour and how easy-peasey it was to separate those who weren't yet Converted from the actual Congregation. in truth it was hilarious to watch cause if i remember rightly, we thought we'd just about bust a gut laughing cause in Cardiff, Manc and Bristol, after the band did the obligatory three or four tunes off the newly-released
Outyawn Outlaw, a sample of tracks which included 'Hello, I'm Johnny Cash', the tune which brought the band under the radar of the n00bs, the rubes, the chicks in pink feathery, glittery cowboy hats and all the chavvy dudes in imitation Stetsons worn with wifebeaters — i kid you not; whether chicks or guys, they wore what they wore in all seriousity
and Brits or not, they totally missed the irony, but i digress.
thing of it is, what made us actually ROTFLOurAO happened at every gig when the Outlaw tunes were
thankfully over and the band launched into classics like Hypo Full Of Love and Mao Tse Tsung Says. Alma and i looked around and the expressions on the faces of all these kids — new fans or whatever — just about killed us cause they had no fucking idea what was going on, onstage, Not. One. Damn. Clue. what?
music about politics? and drugs? 'Was that Jim Jones?' 'Did they say "Socialism?"...' 'What's this "Raise your left arm" shit about, then? Why not my right?'
LMAO just remembering the looks on their faces as the band played our faves offa Exile, La Peste and Power In The Blood and the majority of each audience cheered our asses off but those poor previously nasty, way-too-pushy drunken kids were immediately outta their element which gave Alma and i the chance to get up to the frontlines — where we belonged — and then dance our asses off like at pre-Outlaw gigs. ahhhh... the Bristol gig was the bestest of the Tour, of course, not leastly cause at one point, Jake — as D Wayne — waved to Nomad from the stage and said sump'n about the Bristol Posse or Scottish Crew or whatever it was he called
us it. me and Alma preened. i think i recall Sandy and Chris appearing quite pleased but i couldn't say for sure
cause i just don't remember and they're both so naturally laid back anyway.
back to my opinion of Outlaw, remember Larry Flynt's
'Opinions are like assholes. Everybody has one' — i'm reminding yiz here in a gesture meaning 'hey! no biggie —
"It's just your my opinion, man"...' cause like anyone else's, it'd ideally be taken from whom it comes: in this case, a (still) deranged, formerly rabid Alabama 3 fanboy like i used to be (your mileage may vary). but in truth IMO, Outlaw has its moments. my total fave's '
Adrenaline' with which i immediately fell in love upon first hearing, especially D Wayne's scat singing style. *sigh* and there's the first 32 seconds of 'Let It Slide' as well as the bit from 3,04 —> 3,09 and where he comes in at 4,13 to the end.
in all actuallity, i totally love the lyrics to 'Let It Slide' (i just don't dig the arrangement cause it's not Rock & Roll or Punk enough for me). though i do love the bits
stoled offa when they quote 'Gimme Shelter' — y'know: the female 'oohs' in the background. hmm... and apart from 'Adrenaline', the only other track i love is '
Minesweeping' but that shit's available only as the B-side of the single, 'Hello, I'm Johnny Cash' (and i think it's on Outlaw Remixes as well but i'm not sure even though i have it in my iTunes grouped with the rest of em). Minesweeping as the B-side of 'HIJC' pissed me off muchly
though it's none-a my biz cause as a poverty-stricken compleatist, i hadda have it
and so, goddit My Way and let's leave it like that. :-)
moving right al- oh
WOW — it's
Zoe Devlin Love. *cough* mmmmm... Devlin... ghlurghlll droool... *in a Homer voice*

fun-fact:
Zoe's got the Bump of Love (read her message at prior link) so due to her condition, she won't be appearing on the
Tour Upcoming. in other news, here's
Aurora Dawn:

a lovely talented chick, someone i met one Summer evening in the Garden of Albert (last year? the year before?) and with whom i had a very intristin' chat. she's gonna step up for Zoe on the Tour and all i can say is HOORAH! not that i won't miss Zoe but as i told Aurora that night
after i virtually kissed the hem of her garment and washed her feet with my hair when i learnt it was she who was singing on 'Minesweeping': 'i so wanna see you onstage, doing your stuff'. and now she
shall be and we're ALL gonna see her. i'm so hoping they do 'Minesweeping'
a tune which, if i were in charge, would've been the single promoting Outlaw along with 'Adrenaline' — hang on, they
must do 'Minesweeping'; i mean, c'mon, it's Aurora and all — but hey, whaddoo i know? i'm just a Lowly Liddle Reverend in The Congregation, just like everyone else.
OK Danny, i believe i'm done with Ancient History now so back to the photo up top which started it all; the card in the kitchen actually reads
'Take Drugs' — with the additional word —
'responsibly' — at bottom. Danny immediately asked permission to pull it off the magnet board and then threw down a buncha samples to cover the 'responsibly' bit. then i made him remove the tiny hill of Persians before i took my photo cause now some-a my fambly (as well as their friends) read me regularly and i wouldn't wannem to get the wrong idea, mostly cause — well, here's a fun-fact as well as a helpful hint:
in NYC both kindsa those kinda powders are white.
where was i —right, Danny wanted the powder in the pic and i didn't. then we
play argued. then i won. then he
was pissed wasn't pleased. this is me caring.
anyway, he totally removed the powder cause '
it's MY fuckin site, dude'. Danny, i know you'll be reading this
and i know where you live *cue spookey music* not that that's a threat or anything. *giggle* if y'all don't like what i say, then start your own fuckin site, like i toldja before. i also said to please quit calling Tawdry my 'blog' — just as
i don't '
tweet',
i post to my site and IMO, that's a big dif as far as emotional climate, context, background and whatever else go.
yeah, i'm tawkin bout the 'take if from whom it comes' factor — we discussed this a coupla hours ago when i reminded you Why, both tonight and last week and if you hadn't gotten me so coked up and drunk before, i'd dig up my link, but too wasted ATM, thanks to you. *glares*
oh, wait — i torry. in all seriousity, big thanks for wasting me, Danny. :-) as i toldja before, i really, really needed it
cause weekends are always the worstest for me.

are we done here yet? (she asked, hopefully). yup, we're done... thank fuckity fuck for that — we dun diddit. *stifles D Wayne Tourette's* aw, fuck it:
'Now y'done diddit, Larry! Nine million dollars worth of computer equipment an' he don't want none!'fuck! i'm paraphrasing; losing my Alabama 3 Tourette's. i used to know D Wayne's onstage banter (and most of Larry's) like word-for-word by heart and all and know which album, bootleg and/or at which gig they said whatever. senility or cause i don't listen to em that much anymore? both? neither?
sump'n worse which hasn't yet occurred to me? opinions? i'd actually love to go 'discuss' but hey — like,
why bother? *giggle*
ps, once again, my apologies to Danny. in truth, i really dunno where any post'll take me once i begin writing but it's a sure thing it won't resemble that which i have in mind at the start. and thass my story an' i'm stickin' to it. Punkt, Ende. :-)
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